CONCERTS
2025/26 Season
The international series
ORCHESTRA OF ST. LUKE'S
ALTERNATIVE ENERGIES / COA, USA
Sunday, February 22, 2026 – 7:30 p.m.
Carnegie Hall, New York
Orchestra of St. Luke’s (NY)
Zvonimir Hačko, conductor
Hanna Kulenty: Carrés Noirs (Black Squares) (2024)
for piano four-hands, two percissionist. &
two string orchestras
American premiere
Mason Bates: From Alternative Energies (2011)
II. Chicago, 2012
III. Xinjiang Province, 2112 (Twilight on an Industrial Wasteland)
John Adams: Harmonielehre (1985)
for large orchestra
Polish composer Hanna Kulenty’s recently completed ICCM commission opens the concert with a fiery display of energy and virtuosity. Mason Bates electronic/orchestral follows. This is now
a space-craft journey into another sound-world. But the crown-
ing jewel of the evening come with John Adams’ colossal min-
imalistic creation, Harmonielehre. Calling for a large orchestra, the piece gyrates, swoons, explodes, and pulsates effortlessly, as an apt finale to this groundbreaking acoustical drama.
Polish composer Hanna Kulenty’s recently completed ICCM commisdion opens the concert with a fiery display of energy and virtuosity. Mason Bates electronic/orchestral follows. This is now a space-craft journey into another sound-world. But the crowning jewel of the evening come with John Adams’ colossal minimalistic creation, Harmonielehre. Calling for a large orchestra, the piece gyrates, swoons, explodes, and pulsates effortlessly, as an apt finale to this groundbreaking acoustical drama.
MUSICA SACRA (New York)
DAYS OF OUR LIVES / COA, New York City
Saturday, February 28 2026 – 8:00 p.m.
Church of St. Ignatius of Loyola
Musica Sacra, New York
Kent Tritle, Conductor
Henryk Górecki: Totus tuus (1987)
for chorus a cappella
Kaija Saariaho: Tag Des Jahrs (2001)
for choir and electronics
Henryk Górecki: Lobgesang (1988)
for chorus a cappella & glockenspiel
Alfred Schnittke: Choral Concerto (1984)
for mixed chorus, a cappella
New York’s premiere professional chorus, Musica Sacra, led by its
Music Director Kent Tritle presents four memorable works by Pol-
ish, Finnish, and Russian composers — transcendent in beauty and
spirit, they speak eloquently to the challenges of our times.
New York’s premiere professional chorus, Musica Sacra, led by its Music Director Kent Tritle presents four memorable works by Polish, Finnish, and Russian composers — transcendent in beauty and spirit, they speak eloquently to the challenges of our times.
ORCHESTRA OF ST. LUKE'S (NY)
ALREADY IT IS DUSK
Friday, March 6 2026 – 7:30 p.m.
Alice Tully Hall at Lincoln Center, NYC
Hanzhi Wang, bayan
Orchestra of St. Luke’s (NY)
Zvonimir Hačko, conductor
Henryk Górecki: Old Polish Music, Op. 24 (1967-69)
for brass and strings
Sofia Gubaidulina: Fachwerk (2009) East Coast premiere
for bayan solo, percussion and string orchestra
Witold Lutosławski: Symphony No. 3 (1984)
for orchestra
CONCERTS AT
BEETHOVEN SUMMIT '26
Mavericks & Iconoclasts
Beethoven Summit London ’26 is a four-day festival and international conference devoted to exploring Beethoven’s music through performance alongside the latest research in historical practice. The Summit brings together performers, scholars, and music lovers to celebrate and enrich our understanding of Beethoven’s work through historically informed performances, open dialogue, and shared insights from recent scholarship. Our goal is to move closer to the sound world Beethoven himself imagined, deepening both our appreciation and enjoyment of his creative genius.
The Summit will feature performances on period instruments, conversations between world-leading scholars and performers, and interactive panels that bridge research and performance. By connecting current research with live performance, the Summit explores how evolving scholarship continues to influence interpretation and inspire fresh approaches to Beethoven’s music. Beethoven’s uncompromising spirit, especially his willingness to reimagine musical form, expression, and sound, embodies the very idea of artistic maverick that the Summit Series seeks to celebrate. Each year, the Summit will continue this exploration, tracing how bold innovation and informed performance together reveal new ways of hearing the music we thought we knew.
The Summit Series
The Summit Series is an annual, performance-focused /scholarly event, dedicated to composers whose visionary ideas transformed the course of music history. These are the mavericks and iconoclasts who challenged convention and redefined the very parameters of musical thought and expression. Beethoven Summit ’26 marks the first event in this new series devoted to exploring the legacy of musical trailblazers, past and present, by combining the latest research with performances of the highest calibre. Their innovations continue to inspire the art of performance today and are core to the mission of ICCM.
QUARTET ISOLDE
BEETHOVEN SUMMIT LONDON ‘26
Beethoven String Quartets
Friday, March 27 2026, 7:30 p.m.
Royal College of Music, London
Quartet Isolde
Gabrielle Lester, violin I
Ralph De Souza, violin II
Rachel Roberts, viola
Gemma Rosenfield, violoncello
Beethoven: String Quartet in G Major, Op. 18, No. 2 (1800)
Beethoven: String Quartet in F Major, Op. 135 (1826)
THE HANOVER BAND
BEETHOVEN SUMMIT LONDON ‘26
Beethoven & Mendelssohn
Saturday, March 28 2026,
19:30 – 21:30 | EVENING CONCERT |
The Hanover Band
Venue tba, London
Piano solo tba
Violin solo tba
Violoncello tba
The Hanover Band (on period instruments) Conductor tba
Beethoven: Coriolan Overture, Op. 62 (1807)
Overture to Heinrich J. von Collin’s tragic play Coriolan
Mendelssohn: Symphony No. 4 in A Major, Op. 90 “Italian” (1833)
for orchestra
Beethoven: Concerto in C Major, Op. 56 “Triple Concerto” (1792)
for piano, violin, violoncello, and orchestra
CHAMBER PLAYERS OF THE HANOVER BAND
BEETHOVEN SUMMIT LONDON ‘26
Chamber Music, Schubert & Beethoven
Sunday, March 29 2026,
19:30 – 21:30 | EVENING CONCERT |
Venue tba
Chamber Players of The Hanover Band
(on period instruments)
Schubert: String Quartet in D Minor (D. 810) “Death and the Maiden” (1824)
Beethoven: Septet in E-flat Major, Op. 20 (1800)
for clarinet, bassoon, horn, violin, viola, cello, double bass
THE HANOVER BAND
BEETHOVEN SUMMIT LONDON ‘26
Beethoven’s Choral Symphony
Sunday, March 29 2026,
19:30 – 21:30 | CLOSING CONCERT |
Cadogan Hall, London
Danny Driver, piano
Elin Pritchard, soprano
Victoria Simmonds, Mezzo Soprano
Andrés Presno, tenor
Darren Jeffery, bass-baritone
New Amsterdam Choir
The Hanover Band (on period instruments)
Zvonimir Hačko, conductor
Beethoven: Egmont Overture, Op. 84 (1810)
from Beethoven music to Goethe‘s play Egmont, Op. 84
Schumann: Piano Concerto in A Minor, Op. 54 (1845)
for piano & orchestra
Beethoven: Symphony No. 9 in D Minor, Op. 125 (1822-1824)
for SATB soli, SATB chorus, and orchestra
NEW AMSTERDAM CHOIR & SINFONIA
TRANSFIGURATIONS
Saturday, April 18 2026, 7:30 p.m.
Venue tba, London
New Amsterdam Choir & Sinfonia
Conductor tba
Alfred Schnittke: Requiem (1975)
from the incidental music to ‘Don Carlos’ —
for three sopranos, contralto, tenor, mixed chorus
and instrumental ensemble
Igor Stravinsky: Mass (1944/1947-1948)
for mixed chorus and double wind quintet
Alfred Schnittke: Minnesang (1980)
for 52 voices, a cappella
ORCHESTRA OF ST. LUKE'S (NY)
VARIATIONS ON A THEME OF LIFE
Tuesday, April 23 2026 – 7:30 p.m.
Alice Tully Hall at Lincoln Center, NYC
Polina Osetinskaya, piano
Trumpet tba
Orchestra of St. Luke’s (NY)
Conductor: Zvonimir Hačko
Benjamin Britten: Variations of a Theme of Frank Bridge, Op. 10 (1937)
for string orchestra
Dmitri Shostakovich: Piano Concerto No. 1 in C minor, Op. 35 (1933)
for piano solo, trumpet, and string orchestra
Dmitri Shostakovich/Bashmet: Chamber Symphony (1960)
String Quartet No. 8, Op. 110 arr. of String Quartet
NEW YORK CHORAL SOCIETY/
ORCHESTRA OF ST. LUKE’S (NY)
COPERNICUS, THE STAR GAZER
Sunday, June 7 2026, 7:30 p.m.
David Geffen Hall at Lincoln Center, New York
Miroslawa Olegova, soprano
Jazek Krispjec, baritone
Wojciech Błażejczyk, electric guitar
New York Choral Society
Orchestra of St. Luke’s (NY)
Zvonimir Hačko, conductor
Isidora Žebeljan: Rukoveti (1999-2000)
Five songs for soprano and orchestra – US premiere
Wojciech Błażejczyk: Concerto for Electric Guitar, Percussion,
Electronics, and Strings/new version (2020) – US premiere
Henryk Górecki: Symphony No.2 “Copernican” Op. 31 (1972)
for soprano, baritone, large mixed choir & large orchestra
US premiere