international centre for contemporary music

CONCERTS
2025/26 Season

The international series

PACIFIC SYMPHONY

ALTERNATIVE ENERGIES / COA, USA
Saturday, November 8, 2025 – 8:00 p.m.
Segerstrom Center for the Arts
Steven Osborne, piano
Pacific Symphony
Zvonimir Hačko, conductor

Mason Bates: Xinjiang Province, 2112

     (Twilight on an Industrial Wasteland)
     from Alternative Energy (2011)

 

Witold Lutosławski: Concerto for Piano & Orchestra (1988)

     (Koncert na fortepian)

 

John Adams: Harmonielehre (1985)

     for large orchestra

Mason Bates electronic/orchestral mix unapologetically launch-
es the concert into another sound-world. Lutosławski’s superbly

inventive and virtuosic piano concerto follows. But the crowning

jewel of the evening is John Adams’ colossal minimalistic cre-
ation, Harmonielehre. Calling for a large orchestra, the piece gy-
rates, swoons, explodes, and pulsates effortlessly, as an apt finale

to this groundbreaking acoustical drama.

Mason Bates electronic/orchestral mix unapologetically launches the concert into another sound-world. Lutosławski’s superbly inventive and virtuosic piano concerto follows. But the crowning jewel of the evening is John Adams’ colossal minimalistic creation, Harmonielehre. Calling for a large orchestra, the piece gyrates, swoons, explodes, and pulsates effortlessly, as an apt finale to this groundbreaking acoustical drama.

SINFONIA VARSOVIA (Warsaw)

PANELS, PRANKS & SQUARES
Saturday, November 22, 2025 – 8:00 p.m.
Nowy Teatr, Warsaw
Książek Piano Duo
Geir Draugsvoll, Bayan
Sinfonia Varsovia
Zvonimir Hačko, Conductor

Hanna Kulenty: Carrés Noirs (Black Squares) (2024)
     for piano four-hands, perc. & two string orchestras

              World premiere

Paweł Mykietyn: “Prank” for chamber orchestra (2021)

              Polish premiere

Sofia Gubaidulina: Fachwerk (2009)
     for bayan solo, percussion and string orchestra

              Polish premiere

Three significant premieres take place at this concert,

featuring two well-known Polish composers and a mas-
terwork by Sofia Gubaidulina. Kulenty’s fiery concerto for

piano duo and two string orchestras cuts a new ground
of expression, while Mykietyn’s “Prank” literally leads us

through a labyrinth of tempo changes that lead to no-
where — all masterfully executed!

Three significant premieres take place at this concert, featuring two well-known Polish composers and a masterwork by Sofia Gubaidulina. Kulenty’s fiery concerto for piano duo and two string orchestras cuts a new ground of expression, while Mykietyn’s “Prank” literally leads us through a labyrinth of tempo changes that lead to nowhere — all masterfully executed!

MUSICA SACRA (New York)

DAYS OF OUR LIVES / COA, New York City
Saturday, February 28 2026 – 8:00 p.m.
Church of St. Ignatius of Loyola
Musica Sacra, New York
Kent Tritle, Conductor

Henryk Górecki: Totus tuus (1987) 
     for chorus a cappella

Kaija Saariaho: Tag Des Jahrs (2001)
     for choir and electronics

Henryk Górecki: Lobgesang (1988)
     for chorus a cappella & glockenspiel 

Alfred Schnittke: Choral Concerto (1984)
     for mixed chorus, a cappella

New York’s premiere professional chorus, Musica Sacra, led by its

Music Director Kent Tritle presents four memorable works by Pol-
ish, Finnish, and Russian composers — transcendent in beauty and

spirit, they speak eloquently to the challenges of our times.

New York’s premiere professional chorus, Musica Sacra, led by its Music Director Kent Tritle presents four memorable works by Polish, Finnish, and Russian composers — transcendent in beauty and spirit, they speak eloquently to the challenges of our times.

ORCHESTRA OF ST. LUKE'S (NY)

ALREADY IT IS DUSK
Friday, March 6 2026 – 7:30 p.m.
Alice Tully Hall at Lincoln Center, NYC
Hanzhi Wang, bayan
Orchestra of St. Luke’s (NY)
Zvonimir Hačko, conductor

Henryk Górecki: Old Polish Music, Op. 24 (1967-69)

     for brass and strings

Sofia Gubaidulina: Fachwerk (2009) East Coast premiere
     for bayan solo, percussion and string orchestra

Witold Lutosławski: Symphony No. 3 (1984)

     for orchestra

CONCERTS AT

BEETHOVEN SUMMIT '26

Mavericks & Iconoclasts

Beethoven Summit London ’26 is a four-day festival and international conference devoted to exploring Beethoven’s music through performance alongside the latest research in historical practice. The Summit brings together performers, scholars, and music lovers to celebrate and enrich our understanding of Beethoven’s work through historically informed performances, open dialogue, and shared insights from recent scholarship. Our goal is to move closer to the sound world Beethoven himself imagined, deepening both our appreciation and enjoyment of his creative genius.

The Summit will feature performances on period instruments, conversations between world-leading scholars and performers, and interactive panels that bridge research and performance. By connecting current research with live performance, the Summit explores how evolving scholarship continues to influence interpretation and inspire fresh approaches to Beethoven’s music. Beethoven’s uncompromising spirit, especially his willingness to reimagine musical form, expression, and sound, embodies the very idea of artistic maverick that the Summit Series seeks to celebrate. Each year, the Summit will continue this exploration, tracing how bold innovation and informed performance together reveal new ways of hearing the music we thought we knew.

The Summit Series
The Summit Series is an annual, performance-focused /scholarly event, dedicated to composers whose visionary ideas transformed the course of music history. These are the mavericks and iconoclasts who challenged convention and redefined the very parameters of musical thought and expression. Beethoven Summit ’26 marks the first event in this new series devoted to exploring the legacy of musical trailblazers, past and present, by combining the latest research with performances of the highest calibre. Their innovations continue to inspire the art of performance today and are core to the mission of ICCM.

QUARTET ISOLDE

BEETHOVEN SUMMIT LONDON ‘26
Beethoven String Quartets
Friday, March 27 2026, 7:30 p.m.
Royal College of Music, London
Quartet Isolde
     Gabrielle Lester, violin I
     Ralph De Souza, violin II
     Rachel Roberts, viola
     Gemma Rosenfield, violoncello

Beethoven: String Quartet in G Major, Op. 18, No. 2 (1800)

Beethoven: String Quartet in F Major, Op. 135 (1826)

THE HANOVER BAND

BEETHOVEN SUMMIT LONDON ‘26
Beethoven & Mendelssohn
Saturday, March 28 2026,
19:30 – 21:30 | EVENING CONCERT |
The Hanover Band
Venue tba, London
Piano solo tba
Violin solo tba
Violoncello tba
The Hanover Band (on period instruments) Conductor tba

Beethoven: Coriolan Overture, Op. 62 (1807)
     Overture to Heinrich J. von Collin’s tragic play Coriolan

Mendelssohn: Symphony No. 4 in A Major, Op. 90 “Italian” (1833)
     for orchestra

Beethoven: Concerto in C Major, Op. 56 “Triple Concerto” (1792)
     for piano, violin, violoncello, and orchestra

CHAMBER PLAYERS OF THE HANOVER BAND

BEETHOVEN SUMMIT LONDON ‘26
Chamber Music, Schubert & Beethoven
Sunday, March 29 2026,
19:30 – 21:30 | EVENING CONCERT |
Venue tba
Chamber Players of The Hanover Band
     (on period instruments)

Schubert: String Quartet in D Minor (D. 810) “Death and the Maiden” (1824)

Beethoven: Septet in E-flat Major, Op. 20 (1800)

     for clarinet, bassoon, horn, violin, viola, cello, double bass

THE HANOVER BAND

BEETHOVEN SUMMIT LONDON ‘26
Beethoven’s Choral Symphony
Sunday, March 29 2026,
19:30 – 21:30 | CLOSING CONCERT |
Cadogan Hall, London
Danny Driver, piano
Elin Pritchard, soprano
Victoria Simmonds, Mezzo Soprano
Andrés Presno, tenor
Darren Jeffery, bass-baritone
New Amsterdam Choir
The Hanover Band (on period instruments)
Zvonimir Hačko, conductor

Beethoven: Egmont Overture, Op. 84 (1810)

     from Beethoven music to Goethe‘s play Egmont, Op. 84

Schumann: Piano Concerto in A Minor, Op. 54 (1845)

     for piano & orchestra

Beethoven: Symphony No. 9 in D Minor, Op. 125 (1822-1824)

     for SATB soli, SATB chorus, and orchestra

NEW AMSTERDAM CHOIR & SINFONIA

TRANSFIGURATIONS
Saturday, April 18 2026, 7:30 p.m.

Venue tba, London
New Amsterdam Choir & Sinfonia
Conductor tba

Alfred Schnittke: Requiem (1975)
     from the incidental music to ‘Don Carlos’ —
     for three sopranos, contralto, tenor, mixed chorus
     and instrumental ensemble

Igor Stravinsky: Mass (1944/1947-1948)
     for mixed chorus and double wind quintet

Alfred Schnittke: Minnesang (1980)
     for 52 voices, a cappella

ORCHESTRA OF ST. LUKE'S (NY)

VARIATIONS ON A THEME OF LIFE
Tuesday, April 23 2026 – 7:30 p.m.
Alice Tully Hall at Lincoln Center, NYC
Polina Osetinskaya, piano
Trumpet tba
Orchestra of St. Luke’s (NY)
Conductor: Zvonimir Hačko

Benjamin Britten: Variations of a Theme of Frank Bridge, Op. 10 (1937)

     for string orchestra

Dmitri Shostakovich: Piano Concerto No. 1 in C minor, Op. 35 (1933)
     for piano solo, trumpet, and string orchestra

Dmitri Shostakovich/Bashmet: Chamber Symphony (1960)
      String Quartet No. 8, Op. 110 arr. of String Quartet

NEW YORK CHORAL SOCIETY/
ORCHESTRA OF ST. LUKE’S (NY)

COPERNICUS, THE STAR GAZER
Sunday, June 7 2026, 7:30 p.m.

David Geffen Hall at Lincoln Center, New York
Miroslawa Olegova, soprano
Jazek Krispjec, baritone
Wojciech Błażejczyk, electric guitar
New York Choral Society
Orchestra of St. Luke’s (NY)
Zvonimir Hačko, conductor

Isidora Žebeljan: Rukoveti (1999-2000)     
     Five songs for soprano and orchestra – US premiere

Wojciech Błażejczyk: Concerto for Electric Guitar, Percussion,
     Electronics, and Strings/
new version (2020) – US premiere

Henryk Górecki: Symphony No.2 “Copernican” Op. 31 (1972)
     for soprano, baritone, large mixed choir & large orchestra
     US premiere

Scroll to Top